№16328876[Quote]
Lil B:
>Had a massive impact on based culture, memes, cooking, and /soy/ itself. Referenced by countless anons, zoomers, and rare Pepes, known and beloved by millions of people worldwide who understand what it means to be BASED.
>Has been active for over a decade and a half, still dropping swag, new music, and positive vibes to this very day, racking up millions of views and streams while staying independent.
>Is free to listen to for everyone, never locks content behind Steam store pages, paid DLC, or "psychological horror" bait.
>Bright, chaotic, positive, and genuinely SWAG; never gets and old and consistent with his BasedGod energy.
DDLC:
>Had very little cultural impact outside of niche weeb forums and tranny Discord servers.
>Was active for a short while because of big Youtubers playing it with scattered fan content carrying it afterwards, and then stagnated hard.
>Its creator milks the fanbase with ports, merch, and "Plus" versions while the fanbase obsesses over pixelated tranime girls.
>Overall repetitive VN format with reddit "horror" undertones, painfully unfunny, and forgettable outside of shock value.
Let’s face it /soy/, BASEDGOD beats Doki Doki Literature Club any day of the week. Lil B makes ART purely for the fun of it and to spread positivity. He LIKES what he does, as evidenced by the fact that he’s been based for years and reaching generations despite making most of his money from the streets, not from coomzoomer patreon bucks. The DDLC guy, on the other hand, doesn’t even like his creation anymore. He uses it solely for one big twist and endless milking. He is not proud of DDLC nor its obsessive fanbase, unlike Lil B who wholeheartedly loves his based community AND its rightfully obtained fanbase who he lets decide what swag they want to hear next.